Young people from black, Asian and ethnic minority backgrounds (BAME) have described how they feel the 2019 general election has failed so far to take on their views or represent them.
Students at London’s Westminster Kingsway College talked about the issues they care about and the changes they would like to see in politics.
Video by Jamie Moreland
London blogger The Gentle Author has been photographing the changing face of London, focusing on what is known as “facadism”, the practice of destroying everything apart from the front wall and constructing a new building behind it.
Here, we present a few pictures from the series and the story of the buildings that once stood.
National Provincial Bank, Threadneedle Street, City of London, EC2
This Grade I listed building was designed by John Gibson as London’s largest banking hall, in 1863-65, with figures along the roofline representing locations where the bank did business including:
Above the arched windows, eight sculpted panels of heroic allegorical scenes represent the achievements of mankind:
- the arts
The Cock & Hoop, Artillery Lane, Spitalfields, E1
Thomas Lloyd is recorded as this pub’s first landlord, in 1805.
After it closed for good, in 1908, the building was incorporated into the Providence Row Night Refuge and, in 2006, converted into student housing for the London School of Economics.
London Fruit & Wool Exchange, Brushfield Street, Spitalfields, E1
This building was designed by Sydney Perks, in 1927, as a state-of-the-art auction room with a roof that simulated sunlight on cloudy days, parquet floors, careful detailing and significant craft elements throughout.
Since the fruit and vegetable market left Spitalfields, in 1991, it has housed many small independent local businesses.
The tenant of the new development is an international legal corporation.
465 Caledonian Road, Islington, N7
Mallett, Porter & Dowd built this handsome warehouse for their business, in 1874.
Redevelopment by University College London for student housing was turned down by Islington Council, citing inadequate daylight, due to the windows of the new building not aligning with those in the facade.
But this judgement was later overturned by the Planning Inspectorate.
And the development won Building Design’s Carbuncle Cup for 2013.
College East, Toynbee Hall, Wentworth Street, Spitalfields, E1
Designed by Elijah Hoole, this part of the Toynbee Hall campus, built in 1884-85, was demolished and facaded for the construction of Attlee House, which was completed in 1971 but itself demolished in 2016.
It will next front Gatsby Apartments, a development of flats for the commercial market.
Former Unitarian Chapel, Stamford Street, Blackfriars, SE1
Designed in 1821 by Charles Parker, the architect of Hoare’s Bank, in the Strand, this chapel was demolished in the 1960s apart from the portico and part of the ground floor, which stood in front of a car park for many years.
The Grade II listed Doric hexastyle portico is topped by a triglyph frieze and a pediment.
Its central door has a shouldered architrave and iron gates.
The Spotted Dog, 38 High Road, Willesden, NW10
The Spotted Dog was described as “a well accustomed public house” in 1792, by which time it was at least 30 years old.
In the 19th Century, it was famous for its pleasure gardens and in the 1920s housed a dancehall.
18 Broadwick Street, Soho, W1
Decorative brick inlay on the Berwick Street elevation declares this facade was built in 1886.
Originally a bakery, it became Central Chemists in 1950 when the ground floor and basement premises were acquired by Gertrude Kramer.
Michael Moss acquired the pharmacy and freehold to the building from Mrs Kramer in the 1970s and enlarged it to include 85-86 Berwick Street in the late 1980s, naming it Broadwick Pharmacy.
Richard Piercy bought the shop in 1990 and ran it as Zest Pharmacy until 2016.
In recent memory, the upper parts of the building were used as offices by music, film and voice-over businesses.
All photographs © The Gentle Author from the book The Creeping Plague of Ghastly Facadism.
City traders have urged UK and European exchanges to cut trading hours to improve work life balance.
They want exchanges to open 09:00 to 16:00, instead of 08:00 to 16:30.
Shorter trading hours would cut pressure on traders, and attract a more diverse range of workers, they said.
Stock market trading has traditionally been male dominated, and still lags behind other areas of financial services in terms of attracting women into roles, one association said.
April Day, head of equities at the Association for Financial Markets in Europe, (AFME) said her organisation had been in contact with stock exchanges in London, Paris, Germany and the Nordic region, calling for a reduction in trading hours.
The request is being made in conjunction with fellow trader body the Investment Association.
Traders normally work for a few hours either side of the current 8.5 trading hours, Ms Day said.
By contrast, US exchanges are open for 6.5 hours, and Asian exchanges for 6.
“A shorter working day would improve flexibility for employees and attract a more diverse range of individuals onto trading floors,” Ms Day said.
For example, trading floors need to attract more women, she said. “It’s fair to say [trading] is still male dominated.”
The London Stock Exchange said it would launch a consultation on the request.
A knock-on effect of having a smaller intake of women in junior positions means that there are relatively few women in senior management positions in investment and banking trading, Ms Day said.
Juggling work and childcare responsibilities can be a challenge for both men and women, she added.
“It’s hard to find childcare at five o’clock in the morning,” she said.
Shorter trading hours would improve the liquidity of stocks – that is, how quickly and easily an asset can be converted into cash – as trades would be less thinly spread, she said.
Long hours in a high-pressure job can also exacerbate any mental health difficulties traders may be suffering, Ms Day added.
Galina Dimitrova, director of capital markets at the Investment Association, concurred: “We have heard many deeply moving stories of traders’ mental health and personal life being impacted by their working hours.
“Whilst it is no silver bullet, we hope this European-wide review could start to lead to a step change in more efficient markets to the benefit of savers and those who operate them.”
The London Stock Exchange said it strongly supported improving diversity and workplace culture in the City.
It said the call from the trader associations was “an important suggestion for a European-wide adjustment to trading hours”.
“We intend to consider the request in a formal consultation with London Stock Exchange’s global members and customers,” it added.
One Festival of Homeless Arts brings together works of visual art, theatre, film and photography, all created by artists who are or have been homeless.
The work is being exhibited at the Old Diorama Arts Centre in London.
Three festival artists talk about their work and how their art relates to their experiences of homelessness.
Geraldine Crimmins, from London, discovered her love of art when in prison at the age of 50 as a result of her drug addiction. “I got arrested and it was great because I got detoxed,” she says. “Prison was brilliant, it got my head clear, I cleaned up in there. It saved my life.”
Previously, Geraldine was a businesswoman but says her mental health deteriorated in her late 30s. She lost two businesses and her house to drug addiction by the time she was 40.
She has experienced homelessness, spending two years on the streets around Victoria station in London. When she was mugged, she spent six weeks in hospital and then moved to bed and breakfast accommodation, where she spent a further four years. She now lives in north London.
While in prison, Geraldine attended an art class and started to paint portraits of nude figures. “I’ve always liked the female nude. I’ve developed my artistic eye and I do more abstract figurative work now.”
She submitted a small watercolour painting of a nude to a prison exhibition. Six people wanted to buy the painting. “That gave me such a buzz when I sold it. At the exhibition the next year I sold two more pieces.”
Geraldine is now an art mentor for people with mental health difficulties who have been in a hostel or living on the street.
She also takes a women’s group to the Royal Academy of Arts every two months to see an art exhibition. “There are so few things for women in the homeless arena, I try to give women a voice.
“I’ve been diagnosed with PTSD and an anxiety disorder, and I got treatment.
“But I think a lot of mental health conditions of the homeless go untreated. Many homeless people don’t realise that they actually need to see a psychiatrist or clinical psychologist.”
As a self-employed artist, Geraldine carries out consultancy work for Cafe Art, a social enterprise that aims to empower people affected by homelessness by supporting their art, photography and entrepreneurship.
“Someone once asked me what my dream would be and I said working with marginalised people and being an artist, [which has] ended up coming around. It’s been amazing.”
Geraldine has submitted a number of paintings to this year’s festival, including the image below called Woman with Purple Hair, drawing inspiration from a book of nude photo portraits.
One Festival of Homeless Arts was founded in 2016 by ex-homeless artist and campaigner David Tovey, seen below with one of his works during the hanging of the exhibition.
Artist Stephen O’Grady submitted three pieces of art to the festival, seen below.
The ink drawings show different places in which a homeless person may find themselves sleeping: a pavement, on a discarded mattress or in a seaside shelter.
“I’ve slept on mattresses I’ve found so many times,” Stephen says. “To someone that’s a discarded bit of rubbish, but at that time that was home to me. I’m trying to get that across in the art – that everything has a value to somebody.”
Stephen found himself homeless in late 2015, following several years of alcohol abuse and the breakdown of his marriage.
He was homeless in Watford, the area in which he grew up, before deciding to travel to the south coast. “If you’re going to be homeless, it’s nice to be beside the seaside, so I went to Brighton.”
The shelter seen in his work, next to the word Belvedere, is a scene from Brighton seafront.
While homeless, Stephen returned to his love of art, which began when he attended Watford School of Art as a teenager.
“I always drew even when I was on the streets, I’d have my sketchpad and pens in my bag. The output wasn’t great.
“But looking back on some of the art is quite eye-opening. It was a diary, like an outlet.”
Stephen found creative inspiration from the people around him. “I’m inspired by people’s faces, expressions and speed of movement.
“When you’re homeless you’ve got the freedom to stare a bit more at people, because you are being ignored, plus you’ve nothing else to look at. Not being looked at really got to me.”
Stephen is now in accommodation in Watford and is nourishing his love of art. “I like the feeling of opening a box of paints, or my art box, and just attacking a bit of paper.”
He recently filled a sketchbook with drawings dedicated to his partner, with every page inspired by her. “She got a feeling of joy when she was given it, saying, ‘No-one’s ever done anything like that for me, that’s amazing.'”
Artist Claire Bastow first experienced homelessness shortly after she moved to London in the 1980s.
“The landlord of the accommodation I was in found out that two of my housemates were gay, and so threw all six of us out,” she says. “I had to sleep on people’s couches. I ended up in a squat for a while. There was no legislation to protect us at that point.”
Later in life, Claire says she was made homeless again as a result of domestic violence.
“When I’ve experienced homelessness it’s been pretty awful, that uncertainty. I’ve had to spend the odd night on the street. Or living on people’s couches.
“I’ve been able to use some of that experience to inspire me creatively. There’ve been some positives from it, that’s how I’ve processed it. All that comes out in my art; a sense of belonging, and not belonging.”
Claire developed her art skills in her late 30s, earning various qualifications, including A-level art. She has fond childhood memories of spending time with her grandfather Basil Bastow, an established watercolour artist who was also president of the Nottingham Arts Council.
“We used to go to art galleries all the time. We queued up for three hours to see the Turner exhibition. Turner was his main inspiration.”
Claire has two portraits in the art festival, both paintings of women who have experienced homelessness, Marianne (below left) and Maiya (below right).
“You can see their stories in the characters of their faces. Marianne is pointing to her eye as though to say, ‘Look at me, I have a story to tell.'”
“When people see my work I hope they get from it the idea that when you first glance at somebody, whoever they are, it’s better to look further. Everyone has got a story.
“Everyone has experienced difficulties in their life. Everyone is valid and has a voice and deserves to be seen and heard, and not hidden away, or stigmatised.”
Interviews and photographs by Matthew Tucker.
Residents on two housing estates where blocks of flats burned down have been left at risk because of fire stopping measures in buildings being “missing or useless”, the BBC has been told.
A block built in Worcester Park in south-west London by the Berkley Group burned down in September.
The BBC has found apparent flaws in two more Berkley Group buildings it is said would allow fire to spread quickly.
The developer said all properties had been “independently signed off”.
Since September’s blaze, the housing association for The Hamptons estate has temporarily changed its “stay put” evacuation policy following advice from London Fire Brigade.
Former resident Stephen Nobrega told the BBC the way the fire spread “was more or less instant. It was like paper”.
Wood is combustible and so fire stopping in timber frame homes is important to prevent the spread of fire.
“You would expect that the materials would contain a fire for a considerable amount of time, but it just didn’t happen,” Mr Nobrega said.
Although there were no injuries, some residents believed they just about escaped in time.
‘Shoddily thrown together’
A number of families lost their homes in the fire while others on the estate said they were concerned their own homes were not safe.
The development has since been on high alert, with security guards patrolling 24 hours-a-day on the lookout for fire.
Metropolitan Thames Valley Housing (MTVH), the housing association that now manages properties in the Hamptons, said it had “fitted smoke alarms in the electrical cupboards of all our blocks”.
“We are worried about how our homes are built and if they could go up, we want to be evacuated,” a resident, who wanted to remain anonymous, said.
A large fire would be able to spread quickly at another building on The Hamptons site, two independent surveyors have claimed.
Independent chartered surveyor and fire safety inspector, Arnold Tarling, found a large gap between the fire stopping and the cladding on the outside of a building in the estate, which he said would act as a “chimney through which a fire will spread”.
“What we have here is a form of fire stopping which just won’t do its job,” he said.
Greig Adams, a fire safety expert, told the BBC these breaches had “consequences, including a considerable increased risk to life in the event of a fire”.
“The provision of effective fire barriers is a mandatory requirement, not an element that can be shoddily thrown together or to cut corners on,” Mr Adams said.
A former home owner at the Worcester Park estate has told the BBC she contacted the Berkeley Group nine years ago over safety concerns.
Sheila Majid said she had an independent inspection of her property in 2010 that revealed similar problems with fire stopping and meant “our home did not meet basic fire safety requirements”.
She managed to sell her property back to the Berkeley Group, but remained concerned other Berkeley properties had similar problems.
Two years ago a fire at another Berkeley Group-built property on the Holborough Lakes Estate in Kent destroyed a block of flats.
Mr Tarling inspected a loft space at a property in the estate and found similar fire safety problems to those at the Worcester Park estate.
“There needs to be a full investigation of these properties, not only by the contractor but by the authorities,” he said.
A spokesman for the Berkley Group said “all properties were independently signed off as building control compliant”.
Speaking about the Hamptons fire he said “the police and the fire brigade are still investigating the cause of the fire, which remains unknown” and the group was “making all necessary checks to reassure residents”.
A National House Building Council spokesperson said it was the approved inspector for the Worcester Park development and the organisation had “carried out periodic inspections at key stages of a development’s construction”.
However, they added that “the primary responsibility for achieving compliance with the regulations rests with the builder”.
Housing association MTVH said it had since commissioned surveys of all the buildings it owned and managed.
Geeta Nanda, chief executive of MTVH, said: “It’s our absolute priority to ensure we provide residents with the support and help they need at this difficult time, and making sure that the homes throughout The Hamptons are safe.”
London-based developer Berkley Group has built 19,500 homes in the past five years across the south of England and the Midlands.
A cliff lift, a railway viaduct and a pair of lighthouses have been added to a list of sites at risk of being lost.
Historic England has added 247 sites to its At Risk Register but 310 have been removed as they were regarded as saved.
The 134-year-old Leas Lift in Folkestone, England’s oldest surviving timber trestle railway bridge in Maldon and both Dovercourt Lighthouses in Harwich are on the list.
A well in London, a lead mine and a Georgian warship have been removed.
Historic England praised those who had “lovingly cared for” and “brought back to life” empty buildings and “valued historic places”.
Chief executive Duncan Wilson said: “The message is clear – our heritage needs to be saved and investing in heritage pays.
“There are buildings still on the register that can be rescued and can be brought back to beneficial use and generate an income, contributing to the local community and economy.”
Sites considered saved in the past year included:
- Congregational Chapel in Roxton, Bedfordshire
- Physic Well in Barnet, north London
- Church of St Bride in Fleet Street, central London
- Moseley School of Art in Birmingham
- Potternewton Mansion in Leeds
- HMS Invincible, the wreck of an 18th Century navy ship, off Horse and Dean Sand in The Solent
- Former Providence Chapel in Charlwood, Surrey
- Carrshield lead mines and ore works, North Pennines
- St Andrew’s Church in Sunderland
- Hooton Hangars, RAF hangars in Ellesmere Port, Cheshire
2,375Grade I and II* listed buildings and places of worship
102 Parks and gardens
6Battlefields and wreck sites
Source: Historic England
New sites at risk included:
The Dovercourt lighthouses and causeway, Harwich
Believed to be unique examples of 19th century prefabricated lighthouses, the two towers off the Essex coast are a “well-regarded” feature of the deep water harbour but they are deteriorating.
A survey was carried out in 2018 with a view to repair work commencing over the next two years.
Wickham Bishops railway viaduct, Maldon
The oldest surviving timber trestle railway bridge in England, the structure at Wickham Bishops, also in Essex, comprises two adjoining viaducts and was part of the Braintree to Maldon branch line between 1848 and 1966.
Despite extensive repairs in the 1990s, many timbers are suffering from rot and decay caused by damp, lack of maintenance and heavy tree growth.
Leas Lift, Folkestone
The Grade II* listed funicular railway in Kent was built in 1885 and is one of only three remaining water-balanced lifts in the UK.
It closed in January 2017 because of safety issues with the braking system, since when the building, tracks and machinery have degraded further.
A trust has been formed to manage the building with the hope of reopening the lift in 2023.
Former Weedon Barracks, Weedon Bec
The military complex was constructed as a major depot for arms and ammunition during the Napoleonic Wars and included barracks and a military prison.
It would have served as a refuge for the king and government if Napoleon had invaded and remained a main supplier of arms and clothing to the British Army until the 1960s.
Part of the site in Northamptonshire has been refurbished and Historic England has funded a survey to see what can be done with the rest.
Beckford’s Tower, Bath
This “much-loved landmark” was built in 1827 for writer William Beckford to house his collection of art, books and furniture.
He was buried at the tower and the surrounding Lansdown Cemetery has also been put on the register because of the poor condition of some of its main features.
The Bath Preservation Trust acquired the tower in 1993 and carried out extensive repairs, opening the building to the public in 2001. It is now preparing for another phase of major repairs, which is dependent on fundraising.
Grand Quarter, Leeds
This area was the first to be developed beyond Leeds’ medieval boundaries in the 1600s and was transformed by cloth merchant John Harrison, who also funded the construction of St John’s Church, the oldest church in the city centre, in 1630.
Buildings from each following century remain today, including the Victorian Grand Theatre, but heavy traffic, empty shops and loss of architectural details have left it looking “down at heel”, Historic England said.
The Grand Quarter has recently been chosen as a High Street Heritage Action Zone with Historic England funding due to help revive and improve the area’s “special character”.
Police investigating what they say is the UK’s biggest ever drugs conspiracy have charged 13 men.
The charges of conspiracy to import drugs follow a National Crime Agency investigation into the alleged smuggling of billions of pounds of cocaine, heroin and cannabis.
The NCA said the men were suspected of being members of an international organised crime group.
The men, aged 34 to 59, will appear at Manchester Magistrates’ Court later.
It comes after they were arrested in dawn raids on Tuesday in London, Manchester, Stockport, St Helens, Warrington, Bolton, Dewsbury, and Leeds.
The NCA said seven men have now been charged with four counts of conspiracy to import class A drugs and four counts of conspiracy to import class B drugs.
They are Paul Green, 54, of Eccleston, St Helens; Sohail Quereshi, 59, of Wood Crescent, White City, London; Mohammed Ovais, 41, of Bournlee Avenue, Burnage, Manchester; Ghazanfar Mahmood, 48, of Green Lane, Bolton; Ifthikar Hussain, 46, of Upland Grove, Leeds, West Yorkshire; Vojtech Dano, 38, of Vulcan Gardens, Dewsbury, West Yorkshire and Ivan Turtak, 34, of Vulcan Gardens, Dewsbury, West Yorkshire.
A further six men have all been charged with two counts of conspiracy to import class A drugs and two counts of conspiracy to import class B drugs.
They are Khaleed Vazeer, 56, of Westwood Avenue, Timperley, Manchester; Steven Martin, 48, of Chorley Old Road, Bolton; Andrew Reilly, 37, of Grange Park Road, St Helens; Mark Peers, 55, of Norbeck Close, Warrington; Paul Ruane, 58, of Bewsey Rd, Warrington and Oliver Penter, 37, of Gladstone Street, Stockport.
Four men and two women from the Netherlands – who were arrested in April by the Dutch National Police on European Arrest Warrants – are currently awaiting extradition to the UK.
Tottenham manager Mauricio Pochettino said he needs time to overcome the “different agendas in the squad” after his side’s difficult start to the season continued with a Carabao Cup exit at League Two Colchester United.
Spurs lost 4-3 on penalties after a goalless draw in the third-round tie.
Pochettino has spoken of his squad being “unsettled” this season.
“We need time again to build that togetherness that you need when you are competing at this level,” he said.
Tottenham reached the Champions League final in June but the success of that run came amid a sequence of four wins in 17 games in all competitions.
They are 10 points adrift of Premier League leaders Liverpool after six matches this season and have won none of their five away fixtures, conceding twice in four of those games.
Uncertainty around the futures of influential players, including forward Christian Eriksen and defenders Jan Vertonghen, Danny Rose and Toby Alderweireld left Pochettino eager for the 2 September European transfer window deadline to pass so he had certainty about his squad.
But with none of those players leaving – plus Eric Dier falling out of favour – Pochettino said a group that has been largely stable during his five years at Spurs now needs a period of certainty.
“When you have an unsettled squad always it’s difficult and you lose time, then you need time to recover the time you lose,” added the Argentine.
“That’s where we are. Maybe our performances are good but you need this extra, which is mental, connection. It’s energy to be all together, not to have different agendas in the squad.
“We are in a period where it’s a bit tough for us, but we keep working to find a solution.
“When this type of thing happens it’s about staying clear and fresh and calm. We’re trying to find solutions and we only need time.”
Tottenham’s defeat at Colchester – who are 10th in League Two, 70 places below them – means Pochettino has lost one route to a first trophy of his managerial career.
He made 10 changes, giving debuts to 17-year-old forward Troy Parrott and 20-year-old centre-back Japhet Tanganga.
But there was also plenty of experience, with Dier making his first appearance of the season, Dele Alli returning from injury and Victor Wanyama, Lucas Moura and Davinson Sanchez in the starting XI.
By full-time, Spurs had Eriksen, Son Heung-min, Erik Lamela, Moura and Alli on the pitch as they chased a place in the last 16.
But they managed only four shots on target in the game and Colchester looked just as likely to snatch victory as the match headed towards penalties.
Eriksen and Moura missed from the spot as Colchester won the shootout 4-3.
“We did nearly everything good until the last third,” said Pochettino. “Sometimes you score, sometimes you don’t.
“We feel disappointed because we dominated the 90 minutes, but we were not aggressive in the last third in the way you expect.
“It’s about doing your job, and this lack of aggression in the last third made the reality.”
BBC Sport chief football writer Phil McNulty
Pochettino regards the Carabao Cup as a clear last on his list of Tottenham’s priorities – but the loss to Colchester drives at the heart of a deeper malaise.
Pochettino and Spurs have simply not been themselves since the Champions League final defeat by Liverpool, and the manager’s cryptic reference to “different agendas in the squad” only adds to the sense of unease on and off the pitch.
It has been a bad week, with a two-goal lead conceded in the Champions League at Olympiakos, the loss at Leicester City and now this defeat on penalties by Colchester. They also lost a 2-0 lead in the north London derby at Arsenal on 1 September, ending up hanging on for a draw.
Cut it any way you like – something is not right. And Pochettino must know his words on “different agendas” will lead to open season on speculation.
Eriksen has become an increasingly divisive figure among supporters as his form dips following his failure to move in the summer. Alli’s form has also fallen off a cliff in the past year, while questions surrounded the exclusion of the influential Vertonghen in the early games this season.
Eriksen, into the final year of his contract, carries the appearance of a player counting down the days to departure, while Vertonghen and Alderweireld are others who may not be at Spurs in the long term.
These are all sub-plots to distract from the main agenda.
And what about Pochettino himself?
The Argentine has not cut a completely contented figure since the summer. This was perhaps the frustration of the Champions League final, but it may also be the lack of clout in the transfer market that has left him with a team that, for the most part, has been together for several seasons and is in urgent need of renewal and refreshment.
Spurs chairman Daniel Levy, announcing a refinancing of £637m of debt on the club’s new stadium last week, insisted this would not have any impact on transfer activity. These are welcome words given the increasingly pressing need for new blood.
Pochettino has also been the subject of more speculation linking him with Real Madrid, although his answer of “maybe some year” at the Best Fifa Football Awards was a fair, if non-committal, response.
A squad that looked cohesive, driven and on course for major trophies suddenly looks laboured and lacking in reserves of character – which will truly hurt Pochettino.
BBC Sport pundit Alan Shearer described them as “soft” after the loss at Leicester City and the stats back up this view.
Spurs have won four of their past 17 games. They have not won on the road this season.
The defeat at Colchester, taken in isolation, will not be a cause for widespread dismay – but taken in the wider context it is a sign that Spurs and Pochettino must get their act together quickly.
‘The house that Poch built is tumbling down’ – what you said on #bbcfootball
Jason Wakeling: Poch has taken this squad as far as he can. Overachieved for too long and other clubs fading has helped elevate Spurs to a loftier position than their performances deserve. Only 34 points since the start of 2019. #pochout
Dax Fullbrook: Been a fan of Poch over the years but something isn’t right. He doesn’t seem to care any more. The squad act self-entitled – the ones that want to be there at least. They’ve lost faith in a system that was stunted by [chairman] Daniel Levy. Spurs are in need of a big change.
Brian Sands: Big question now for Pochettino – does he hang around with gutless players who do not have the wherewithal to win any trophy or does he voluntarily walk away before Levy sharpens his axe?
Timothy Poole: A blessing in disguise for Spurs?
Robert Weaver: This is what happens when you rock up with 10 changes & expect a lower league team to simply roll over. Embarrassing doesn’t begin to cover it. Congrats to Colchester, but the house that Poch built is tumbling down around his ears. What an utter shambles!
James Williams: Am I the only Spurs fan not actually too bothered? It will save us tricky away games which should boost us in the league. People saying it’s a shambles are out of their minds.
Aleksandar Todorov: Carabao Cup is realistically Tottenham’s best chance when it comes to silverware. They shouldn’t be beaten by Colchester with the team they have. In the words of Eric Dier, that was embarrassing. Pochettino with a lot to think about.
Commuters have been told not to travel from London Waterloo during the rush hour after a fire closed nine platforms.
The lineside blaze damaged cabling outside the station, meaning trains cannot use platforms 16-24.
Network Rail said “significant damage” had been caused to equipment, meaning trains will be delayed or cancelled.
Disruption is expected for the rest of the day while the Thursday morning rush hour may also be affected.
Network Rail said its engineers would be working through the night to fix the damage.
Waterloo is the busiest and largest railway station in the UK.
The platforms which are closed are normally used by trains serving Windsor, Reading, Hounslow, Richmond and Kingston.
However, services from other platforms are also being affected because trains have to be diverted or revised.
- Circular services via Hounslow, Richmond, Strawberry Hill and Kingston have been cancelled
- Trains between Waterloo and Windsor & Eton Riverside are diverted via Kingston
- Trains between Waterloo and Exeter/Salisbury are terminated and will restart from Basingstoke
Passengers were warned that services on other routes may also be subject to short-notice cancellations or delays.
In a joint statement, Network Rail and South Western Railway said commuters were “strongly advised to use alternative routes where possible and check their journeys before travelling at southwesternrailway.com for ticket acceptance and service details”.
Some passengers took to social media to express their frustration at the travel disruption.
One Twitter user described the situation as an “absolute shambles”, while others complained about being given the wrong or no information at all by train station staff.
|Specsavers County Championship Division Two, Sophia Gardens, Cardiff (day two):|
|Middlesex 384 Malan 166; Carey 4-54 & 189-5 Robson 73*, Simpson 56|
|Glamorgan 171 Lloyd 67; Helm 5-53, Roland-Jones 4-45|
|Middlesex (7 pts) lead Glamorgan (3 pts) by 402 runs|
Middlesex have a formidable lead of 402 over Glamorgan at 189-5 in their second innings, going into day three in Cardiff.
Sam Robson (73*) and John Simpson (56) have strengthened the visitors’ grip.
Toby Roland-Jones (4-45) made the most of a helpful pitch as Glamorgan were hustled out for an inadequate 171.
David Lloyd’s 67 was the top home score, while Tom Helm (5-53) wrapped up the innings with his fifth wicket after his first-evening purple patch.
Lloyd shared half-century stands with Billy Root and Chris Cooke before the visitors’ seamers re-established control, as Glamorgan’s last five wickets mustered just 28 runs.
A lead of 213 runs was not enough to persuade Dawid Malan to enforce the follow-on, wanting to avoid batting last on the most bowler-friendly Championship pitch of the season in Cardiff.
Although Middlesex slumped to 85-4, they were never under pressure thanks to their first-innings lead, and the Robson-Simpson century partnership blossomed in the evening sunshine to grind down Glamorgan hopes of avoiding a first defeat of the campaign.
Glamorgan vice-captain David Lloyd told BBC Sport Wales:
“A very difficult day, they hit their lengths more regularly than we did, then we started well with the ball in the second dig but it’s always tough when you’re chasing the game.
“It’s a wicket where you have to be positive and get forward because it’s starting to go more up and down- it’s about looking to score rather than sit there and wait for things to happen.
“We’ve showed in previous games that we can battle draws out so you never know, we’ll have to try to bat the rest of the game and we can do it if we get our mindsets right.”
Middlesex bowler Tom Helm told BBC Radio London:
“It took a bit longer to get the fifth one than I had in my head last night, but Toby had four and I’m very happy with it.
“If you get the ball in the right area, the odd one zips through and it changed a bit from day one.
“There’s so long left in this game, we can bat for as long as we want and it’ll be interesting to see how the morning goes, they’ll come out fired up but we’ll see how we go.”